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Jan Kavan has been Czech foreign minister and president of the United Nations General Assembly. But Mr Kavan has also been involved in many controversies, and for years fought a legal battle to clear his name after being accused of collaborating with the communist-era secret police. In the 1980s he won a case against a British TV station, which claimed dissidents had been arrested when their names were found in a van he used to smuggle banned literature into Czechoslovakia. Here, in the second of a two-part interview, Jan Kavan gives his side of

Jan Kavan is one of the most interesting and controversial figures in Czech society in recent decades. The son of a Communist politician sentenced in the Slansky show trials of the early 1950s, he himself spent decades in Britain as a leading figure in Czech émigré circles. After his return in 1989, Mr Kavan was accused of having collaborated with the secret police but cleared his name and later became foreign minister and was president of the United Nations General Assembly. In the first of part of this two-part interview, Jan Kavan told me about

Lawyer Josef Cermak is one of the most recognised figures in Toronto, Canada's Czech community: a man involved in Czech-Canadian issues even at 80 an important supporter of Central and East European Studies at Toronto's U of T. Joe is also the author of the well-known "It All Started with Prince Rupert" - a popular history of Czechs and Slovaks in Canada now approaching its 2nd edition. Not too long ago I met with Joe in Toronto to discuss his book and we also talked about his own past: he recalled the rise of communism in his homeland and what

Rob Cameron's guest in this week's One on One is Erazim Kohak, professor of philosophy at Charles University in Prague. Forced to flee his country with his parents after the Communist takeover of 1948, he spent four decades living in exile in the United States, returning to his homeland in 1990.

A former town planner, Martin Krise is now an architect and a leading member of the preservationists group, the Club for Ancient Prague. When we met recently the conversation ranged from the Club's activities to planning and development in the Czech Republic over the last 15 years.

In this week's One on One, Rob Cameron speaks to Matej Cerny, who works for the Czech Republic's best known humanitarian aid group People in Need. The organisation is involved in campaigns in various countries around the globe, such as Chechnya, Afghanistan and most recently Cuba.

In yesterday's programme, the journalist and publisher Alexandr Tomsky recalled his early life and the decades he spent as a rather reluctant exile in London. Now, in the second part of this One on One special, Mr Tomsky talks about his return to Prague, his career in politics and why believes in monarchy. But first he recounts his impressions of former British prime minister Margaret Thatcher.

My guest today in this special two-part One on One is the multi-faceted Alexandr Tomsky. Mr Tomsky has been a journalist, a teacher, an advisor to Margaret Thatcher and a right of centre politician. He set up the exile publishing house Rozmluvy (Debate) in England in 1980, before later running the prestigious Academia publishing house in Prague. When he visited Radio Prague the other day, I asked Alexandr Tomsky to tell us a little bit about his background.

Rob Cameron's guest in this week's One on One is Miroslav Firt, in charge of international relations at one of the country's biggest motoring organisations, the UAMK. Miroslav went to school in the United States, and his work now takes him across Europe, concentrating on the issue of road safety, not something it seems the Czechs are particularly good at.

Jan's guest in One on One is renowned Czech-Canadian pianist Antonin Kubalek, whose recordings and performances have captured audiences worldwide. In the 90s, Mr Kubalek returned for a series of triumphant performances in the Czech Republic, and continues to perform here regularly today. His recitals are most recommended, containing an incredible intensity; his repertoire includes Dvorak, Schubert, Smetana, and Brahms. But, how did Antonin Kubalek get involved in music? That was the first question I asked him when we met recently in downtown