Twin sisters Jitka and Květa Válová, named “Dames of Czech Culture”
in memorandum this week, were once described by a Communist zealot as an
“ulcer on the red face of Kladno”, the industrial Bohemian city of
their birth. They rejected the dominant Socialist Realism aesthetic of the
1950s, preferring more abstract and expressive work, long sealing their
pariah status. They responded by turning their shared home and atelier into
a salon for free thinkers.