Mexican animator José García Moreno studied at Prague’s famous film
school FAMU and apprenticed at the animation studio Bratři v triku in the
last years of communist Czechoslovakia. There, he made his fist short film,
and developed what would prove to be a life-long love for Czech auteurs,
especially the surrealist Jan Švankmajer. Now a professor in Los Angeles,
he spoke to Radio Prague about the differences between American and central
European animation, Czech and Mexican humour, and the need for tactility
and relation to the animated object through